- #CONTEMPORARY RECORDS ACOUSTIC SOUNDS SERIES PRO#
- #CONTEMPORARY RECORDS ACOUSTIC SOUNDS SERIES SERIES#
playing Bass Marimba in the low range, Xylophone in the upper range and mixing both together in the middle range. The Layering feature allows you to mix several instruments, e.g. In the audio examples below, Dynamic Morphing refers to the fact that the percentage of the various instruments is dynamically modified while playing, whereas it is fixed in the Static Morphing examples. The timbre of the morphed instrument you create is the one of an imaginary acoustic instrument whose physical parameters lie somewhere in between those of the instruments from which you started building the morphing. This new technology handles the morphing at the physical modelling level, providing a stunning acoustic authenticity to instruments that never existed. However these are three of the many instruments you can create with the acoustic Morphing introduced in Pianoteq 7 (Standard and PRO).
Instruments VibraDrum, CimbaHarp or GlockenTines for sure do not exist. Up to 48 kHz in PIANOTEQ Stage and Standard.
#CONTEMPORARY RECORDS ACOUSTIC SOUNDS SERIES PRO#
PIANOTEQ PRO offers an internal sample rate of up to 192 kHz. Presets built with PIANOTEQ PRO can be loaded in PIANOTEQ Standard without limitation.
In PIANOTEQ Stage, preset loading is limited to parameters that are present in the interface. You can purchase additional instrument packs at any time. These instrument packs are fully working whereas remaining instrument packs are available in demo mode for your evaluation. During registration, you can choose two instrument packs with the Stage version, three with the Standard version and four with the PRO version. Note-per-note edit: all other physical parametersĬoncerns new purchases from 2019 onward. Recorded by legendary engineer Roy DuNann.Note-per-note edit: volume, detune, attack envelope
#CONTEMPORARY RECORDS ACOUSTIC SOUNDS SERIES SERIES#
The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.Īrt Pepper Meets the Rhythm Section is the alto saxophone master's auspicious 1957 Contemporary debut paring him with pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones - the East Coast rhythm section for Miles Davis' nonpareil quintet. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.Įach title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180-gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket. Stoughton Printing old-style tip-on jacketsĬontinuing Craft Recordings' 70th Anniversary celebration of Contemporary Records!Ĭraft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which begins with six album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. Titles featuring Art Pepper, Barney Kessel, Benny Carter, Hampton Hawes and Shelly Manneįeaturing all-analog mastering by Bernie Grundman Six key albums from the Contemporary Records catalog reissued on 180-gram vinyl! Art Pepper Art Pepper Meets The Rhythm Section (Contemporary Records Acoustic Sounds Series) 180g LP
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